Catherine Stringer

Naomi Jenkin is a seascape and wildlife artist based in Cornwall. Her art is inspired by a deep love of the natural world.

I was born in Japan but instantly felt that Cornwall is my spiritual home. The landscape, the sky, the weather and the people all combine to make Cornwall a place I want to be. Back home in Japan I work with natural stone and grind it down into powered to use as a paint material. I see the amazing granite of Cornwall as a perfect material to use in my art.

Sally Jones is an artist who works primarily in oils, charcoal or pastel, undertaking a wide variety of subject matter which reflects her own broadly-based interests and appreciation of the natural world.

Charlotte was born in the 1970s in Cornwall, to a truly Cornish family, with her roots in the County traceable back to the mid 1600’s. Always creative from a young age, she spent her childhood learning about nature, watching and exploring local freshwater rivers, woodland, moorland and coastal environments.

Christine Brunnock was raised in St Ives, Cornwall. She is based in St Ives today where she is constantly inspired by the Cornish landscape. Largely self-taught, her work is expressive and atmospheric, communicating a range of emotions that are reflected by the elements and environment. Christine’s work has been collected internationally and she exhibits regularly. She was shortlisted for The Evening Standard Art Prize 2018 in London and won the ING Discerning Eye Purchase Prize 2023.

Vincent Basham is a self-taught artist who specialises in seascapes, he was born in Maldon, Essex in 1956 and educated at Thurstable School, Tiptree where his love for painting first developed. He has exhibited his work in prestigious galleries in London, Essex, Norfolk, Devon and Cornwall.

My painting is an expression of my love of the land here in West Penwith, a connection with the beauty and power of the landscape. The paintings are in oil paint on board or canvas, and are realistic & representational landscapes of West Cornwall, but not in an entirely photographic way; they are hyper-real, or more than real.

My work is compiled, I build layer after layer, sometimes taking areas back to where I started, reworking or allowing the beginnings to be exposed. Layers are often thin and my tools are basic. Some papers and canvas may go through the press, some are hand pressed, all are painted and repainted.

Simon paints in an ‘Impressionistic’ painting technique in oils on canvas. Influences include several Impressionists and Post Impressionists, and subsequent artists such as Sargent and Brangwyn.

I studied graphic design for 4 years in the 1970’s and gained Associate Membership of the Society of Industrial Artists & Designers and of the Society of Typographical Designers. I went on to work in London for companies including IPC Magazines and Royle Print Ltd.