As a Cornwall-based artist since 1980 I feel that I am able to create paintings and charcoal drawings that reflect something of the unique character of this part of the UK. The style or approach to painting that I use is one based on a sense of design that was confirmed for me by two formative years spent in Italy after graduating from Art College in the 1970s.
My painting is an expression of my love of the land here in West Penwith, a connection with the beauty and power of the landscape. The paintings are in oil paint on board or canvas, and are realistic & representational landscapes of West Cornwall, but not in an entirely photographic way; they are hyper-real, or more than real.
I have been painting and drawing all my life and have taken many courses over the years. Although originally concentrating on portraits, which I really enjoy and for which I still take commissions, love of landscape painting began with my move to Cornwall in 2002.
Since childhood I have had a fascination with the sea. It has been the inspiration behind my artistic journey. As a self taught artist I have developed the skills best suited to attempt to capture this element. I work in oils , a medium I have found to both suit my personality and best represent the feeling and movement of the sea. Most of my paintings are inspired by walks along the shore when a momentary moment in time will spark the artistic vision.
At the age of 13 Griff won a scholarship to Wakefield School of Arts & Crafts using the same handheld instruments to make marks and the same pigments ground to make paint as had been used for centuries. This was the foundation for his work in the years to come.
I was born in 1971 in Lancashire and almost immediately began illustrating fantastic stories around the age of four. I think I later became an illustrator to avoid getting a proper job, which backfired disastrously when I discovered that not only is being an illustrator considered respectable in some quarters, its also bloody hard work. Thankfully despite winning awards my illustration career was short-lived enough allowing me to become a rather more disreputable ‘fine artist,’ quite painlessly.
Jennifer Ridgeley was born and educated in the borough of Richmond on Thames. Moving to Hertfordshire in her twenties, she gained her teaching degree there in the late 1960’s, taking Art as her main subject. Her work at that time was much influenced by Morris Louis (1912-62.) and his “veils”.
David Hosking was born in Cornwall in 1943. Inspired by his art teacher at Helston grammar school, David studied briefly at Falmouth School of Art and then at the West Midlands College where he was awarded a Distinction for his Art. After 30 years of teaching David retired from teaching in 1995 to devote his time to painting.
Capturing the essence and spirit of the subject is my overriding consideration and challenge when painting wildlife. Sometimes it is in illustrative details other times it will be in heavy impasto and when out sketching watercolour and ink is the preferred choice. I sketch on my tablet and even create sculptures if I feel that better represents the subject in front of me or within.
Vincent Basham is a self-taught artist who specialises in seascapes, he was born in Maldon, Essex in 1956 and educated at Thurstable School, Tiptree where his love for painting first developed. He has exhibited his work in prestigious galleries in London, Essex, Norfolk, Devon and Cornwall.
Suzanne Phillips born to an Irish family in London in 1970 was an artist from the word go, hearing many words of encouragment as she grew from her grandmother who always found time in a busy day to sit and listen to the stories unfold behind every drawing, painting or sculpture put on her lap.
Charlotte was born in the 1970s in Cornwall, to a truly Cornish family, with her roots in the County traceable back to the mid 1600’s. Always creative from a young age, she spent her childhood learning about nature, watching and exploring local freshwater rivers, woodland, moorland and coastal environments.
I was born in Nottinghamshire on the borders of Sherwood Forest, part of a traditional farming family. After an “A” level in art, I progressed to an honours degree in Archaeology and Ancient History extensively utilising my interest in archaeological illustration and artefact drawing.
Contemporary British Artist based in Newquay. For me my art is an intensely personal process; I work in an impressionistic style which is ideally suited to the atmospheric and ever-changing Cornish landscape. Sold internationally and added to many private collections, I use a unique combination of acrylics, oils and enamels which is a way of painting which always surprises and challenges me.
John Tregembo was born in padstow and grew up with the Atlantic ocean on his doorstep, from an early age he learnt to capture the world around him through his drawing and painting and has over the years developed a style all his own which is more to do with the feel of a place rather than actually a named place that can be recognized, he walks his Dogs most days along the camel estuary before starting work and on many an occasion will pick up on something that inspires a painting that is fresh in his memory.
Greetings contemporary art fans, and welcome to the contemporary art world of (relatively) new (to us, anyway) and terribly exciting landscape artist, Alan Furneaux. A thoroughly modern artist who’s so good at what he does, a percentage of his unique designs have lent themselves to greetings card covers recently.
Christine Brunnock was raised in St Ives, Cornwall. She is based in St Ives today where she is constantly inspired by the Cornish landscape. Largely self-taught, her work is expressive and atmospheric, communicating a range of emotions that are reflected by the elements and environment. Christine's work has been collected internationally and she exhibits regularly. She was shortlisted for The Evening Standard Art Prize in London and is a member of The National Acrylic Painters' Association.
I am a so called ‘self-taught’ artist and tend to paint according to my mood. My paintings consist mainly of ‘little people’ having a good time. I had, as a child, many a day out with my parents and in a lot of my paintings I try and reflect the good times I had. Walks by the river, fun in the snow, days on the beach etc.