Capturing the essence and spirit of the subject is my overriding consideration and challenge when painting wildlife. Sometimes it is in illustrative details other times it will be in heavy impasto and when out sketching watercolour and ink is the preferred choice. I sketch on my tablet and even create sculptures if I feel that better represents the subject in front of me or within.
Dick Twinney has loved the Westcountry’s wildlife and countryside for as long as he can remember. Originally from Devon, he has lived and worked in Cornwall for over 35 years. Although his paintings, prints, collectors plates and giftware have spread worldwide and many of the books he has illustrated are American he still thinks of himself as a local artist, passionate about Cornwall, its’ scenery and its’ wildlife.
Catherine paints human and animal figures. Her favourite subjects are beach scenes and adaptations from period drama. For many years Catherine painted miniature porcelain which was sold nationally. Catherine moved on to paint portraits in oil and has also developed her skills in acrylic and pastel. A major influence on her work has been the Newlyn School of Artists. Her work is sold as both originals and high quality Giclée prints. Prints can be purchased by individuals or retailers gallery wrapped for retail sale.
I studied graphic design for 4 years in the 1970’s and gained Associate Membership of the Society of Industrial Artists & Designers and of the Society of Typographical Designers. I went on to work in London for companies including IPC Magazines and Royle Print Ltd.
Lesley is an en plein air artist. Following in the tradition of the Newlyn school she likes to paint out doors capturing the special Cornish light which is so unique to this part of Cornwall. Drawing from life is an important part of her work.
Suzanne Phillips born to an Irish family in London in 1970 was an artist from the word go, hearing many words of encouragment as she grew from her grandmother who always found time in a busy day to sit and listen to the stories unfold behind every drawing, painting or sculpture put on her lap.
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