Artists in Cornwall
Featured Artwork by artists and illustrators based in Cornwall.
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Featured Artists
Sarah Vivian
My painting is an expression of my love of the land here in West Penwith, a connection with the beauty and power of the landscape. The paintings are in oil paint on board or canvas, and are realistic & representational landscapes of West Cornwall, but not in an entirely photographic way; they are hyper-real, or more than real.
Vincent Basham
Vincent Basham is a self-taught artist who specialises in seascapes, he was born in Maldon, Essex in 1956 and educated at Thurstable School, Tiptree where his love for painting first developed. He has exhibited his work in prestigious galleries in London, Essex, Norfolk, Devon and Cornwall.
Steve Slimm
An artist to inspire artists, Steve Slimm’s visionary work over the past 40 years has gained him the reputation, in Cornwall and the UK, of a master of expressionist landscape painting. Since 2009 his work has been featured in national UK art foundation syllabuses for its quality of light.
Jane Palmer
My work is compiled, I build layer after layer, sometimes taking areas back to where I started, reworking or allowing the beginnings to be exposed. Layers are often thin and my tools are basic. Some papers and canvas may go through the press, some are hand pressed, all are painted and repainted.
Alan Furneaux
Greetings contemporary art fans, and welcome to the contemporary art world of (relatively) new (to us, anyway) and terribly exciting landscape artist, Alan Furneaux. A thoroughly modern artist who’s so good at what he does, a percentage of his unique designs have lent themselves to greetings card covers recently.
Audrey Kellow
Born near Helston in Cornwall, I was first inspired to paint with oils at Helston school in the mid 1960’s. It was also my introduction to strong colour and shape, which still forms the essence of my work.
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Suzanne Phillips
Suzanne Phillips born to an Irish family in London in 1970 was an artist from the word go, hearing many words of encouragment as she grew from her grandmother who always found time in a busy day to sit and listen to the stories unfold behind every drawing, painting or sculpture put on her lap.
Ian ‘Griff’ Griffiths
Capturing the essence and spirit of the subject is my overriding consideration and challenge when painting wildlife. Sometimes it is in illustrative details other times it will be in heavy impasto and when out sketching watercolour and ink is the preferred choice. I sketch on my tablet and even create sculptures if I feel that better represents the subject in front of me or within.
Roger Jardine
Roger has lived in Cornwall for over 25 years and is drawn to the variety of painting opportunities that the Cornish landscape has to offer. From the rugged north coastline to the wilds of Bodmin moor, the peaceful river inlets of the south coast and of course the many delightful fishing villages, there is plenty to keep the keen artist occupied.
Discover New Crafts
Flower Faeries Bella
Lampworking originates from early days in Venice where artists melted glass over the flame of an oil lamp to make a bead.
Valerie Mainwaring
I am a so called ‘self-taught’ artist and tend to paint according to my mood. My paintings consist mainly of ‘little people’ having a good time. I had, as a child, many a day out with my parents and in a lot of my paintings I try and reflect the good times I had. Walks by the river, fun in the snow, days on the beach etc.
Bal Maiden Studio Glass
Lampworking originates from early days in Venice where artists melted glass over the flame of an oil lamp to make a bead.
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